Performers, academics, and music enthusiasts gathered at Howard University on Thursday to celebrate the 50th anniversary of hip-hop.
The conference titled, "Hip Hop 50: Past, Present, and Future," is one of dozens of events taking place across the nation and included workshops focused on women in hip-hop, artificial intelligence in the music industry, and mental health.
The two-day conference also included a panel on the legacy of hip-hop's cultural impact, what experts and icons of the field see as the benefits and downsides of the burgeoning industry. 
Panelists gathered at Hip-Hop conference at Howard University. (from left to right) Reggie Peters, Director of Marketing & Visitor Services, Universal Hip Hop Museum, Raina Simone, Performing Artist, June Ambrose, stylist, costume designer, & Creative Director of Women's Basketball for Puma, Red Summer National Hip Hop Museum, Lance Pope, Universal Hip Hop Museum and ASCAP, Manny Faces, host of Hip Hop Can Save America and Lenny Santiago, Senior Vice President at RocNation.
"As a culture, we need to know our history," said Philoy Williams, president of the DC Hip Hop Congress. "And a lot of us don't really know the foundations, and we just enjoy the fruits of the labor. So, I think it's very beneficial for people to get the experience from people that are in the industry, that tell you about the knowledge, tell you about the passion, tell you about the pathways, and the opportunities that we didn't previously know were even existing."
Over the course of several decades, hip-hop has grown to become one of the most popular genres of music in the world. With its origins in 1970s New York block parties, the art form is rooted in various music subgenres, dance styles, fashion, and politics. It has become a multibillion-dollar industry and one of the staples of American culture.
Lance Pope, membership manager of the Universal Hip Hop Museum, said that it's important to center Black and Brown people in hip hop, despite the changes that are taking place within the industry.
"The inventors of [hip-hop] culture are Black and Brown people, telling stories of Black and Brown experiences," said Pope. "As long as you keep yourself true to who you are in that experience, you will always have someone outside of that inquisitive enough to buy in. … And if you look at some of the most successful artists that we have in hip-hop, they have been true to their own identity without selling themselves short trying to appease other people."
